Hannah K Freeman

Hannah K FreemanHannah K FreemanHannah K Freeman
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Hannah K Freeman

Hannah K FreemanHannah K FreemanHannah K Freeman
Home
Recent Work
  • Currently in the Studio..
  • The Light
Shop
Experiments + One-Offs
After-Moments
One-A-Nights
Moments
Exhibitions
Harmonize
About / CV
Student Work
Personal Work Portfolio
Archive
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Moments

2018-2019

Statement
Moment 57, Oil on Panel, 2019, 4-inch diameter
Moment 56, Oil on Panel, 2019, 4-inch diameter
Moment 55, Oil on Panel, 2019, 5-inch diameter
Moment 54, Oil on Panel, 2019, 4-inch diameter
Moment 53, Oil on Panel, 2019, 3-inch diameter
Moment 52, Oil on Panel, 2019, 5-inch diameter
Moment 51, Oil on Panel, 2019, 2.5-inch diameter
Moment 50, Oil on Panel, 2019, 2.5-inch diameter
Moment 49, Oil on Panel, 2019, 2.5-inch diameter
Moment 48, Oil on Panel, 2019, 2.5-inch diameter
Moment 47, Oil on Panel, 2019, 4-inch diameter
Moment 46, Oil on Panel, 2019, 5-inch diameter
Moment 45, Oil on Panel, 2019, 2.5-inch diameter
Moment 44, Oil on Panel, 2019, 3-inch diameter
Moment 43, Oil on Panel, 2019, 2.5-inch diameter
Moment 42, Oil on Panel, 2019, 4-inch diameter
Moment 41, Oil on Panel, 2019, 8-inch diameter
Moment 40, Oil on Panel, 2019, 10-inch diameter
Moment 39, Oil on Panel, 2019, 11-inch diameter
Moment 38, Oil on Panel, 2019, 11-inch diameter
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Statement

The intricate worlds of lichens, fungi, and mosses serve as a starting point for my paintings. These sublime organisms help ensure and maintain life on earth. I draw upon the history of landscape painting and abstraction, together with ecotheology*, to communicate spiritual ideas in relation to creation. Using the finite to think about the infinite, the paintings evoke the mysterious, wondrous, interconnected process of existence.


I alternately manipulate the paint and playfully relinquish control to create these worlds. The imagery simultaneously fuses and dissolves, oscillating between certainty and uncertainty with the promise of resolving into something familiar. The luminosity of the colors and the use of abstraction convey the euphoric, transcendental sensation of my initial encounter with the subject matter. The abstraction and the colors stimulate not only the visual senses, but also act on the psyche to contemplate the painted microcosms. I hope the references to creation will invite viewers in, while the abstraction will challenge viewers to perceive in a way that goes beyond the surface of the painting, so they can explore their own thoughts and beliefs.




* Celia Deane-Drummond, A Primer in Ecotheology: Theology for a Fragile Earth (Oregon: Cascade Books, 2017), 131. “Ecotheology . . . is concerned with people and creatures as part of the wondrous gift of God the Creator.” 

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